Editorial Rooms
Stream your timeline to up to 20 viewers in a browser. No installs for participants. Up to 10-bit 4:2:2 signal. Encoder runs on your machine, viewers just open a link.
- 8/10-bit, 4:2:0 or 4:2:2 chroma
- Rec. 709 / P3 D65 gamut
- Up to 10 Mbit/s, 20 concurrent viewers
- 4K HEVC real-time encoding
- Video conferencing, chat, annotation
Colour Rooms
Direct connection between two machines. No server in the path. Up to 10-bit 4:4:4 pipeline with HDR metadata preserved end-to-end.
- Up to 100 Mbit/s, 10-bit 4:4:4 signal
- P3 D65, Rec. 2020 gamut
- HDR PQ / HLG transfer
- Sub-50ms glass-to-glass latency
- No transcoding on the colour path
Editorial rooms stream up to 10 Mbit/s 10-bit 4:2:2 to browsers. Colour rooms deliver up to 100 Mbit/s 10-bit 4:4:4 with HDR PQ/HLG and P3 D65 over P2P.
Signal format and colour science are different things. We keep both intact. Same platform, same team management, same security posture.
Run StreamLite or Streamer on your edit suite. Capture from hardware, network, screen, or file. Clients open a link in any browser — no plugins, no downloads, no VPN.
- Blackmagic DeckLink SDI/HDMI hardware input
- NDI source capture
- Screen capture (ScreenCaptureKit)
- File playback
- Stream delivered via regional SFU servers
- Video conferencing with webcam overlay
- Session chat and annotation tools
- Timecode overlay and sync
Direct peer-to-peer connection at up to 100 Mbit/s between your grading suite and the client's display. The stream never touches our servers. Full 10-bit 4:4:4 signal with colour space and transfer function metadata preserved end-to-end. Same four source inputs as editorial.
- Blackmagic SDI/HDMI, NDI, Screen, File input
- 10-bit 4:4:4 — full chroma, no subsampling
- HDR PQ and HLG transfer functions
- P3 D65 and Rec. 2020 gamut support
- Under 50ms glass-to-glass latency